Moving as a Mountain, 2026

In Moving as a Mountain, body and landscape are not positioned as opposites, but read as a single shifting field of matter — a system in which earth, skin and form continuously interpenetrate. What appears as body behaves like landscape; what appears as landscape operates like body. Across painting, sculpture, textile and drawing, fixed boundaries do not disappear as an idea, but through the way material itself behaves.

What emerges is not a linear process, but matter under tension, continuously taking form. Under pressure from growth, erosion and displacement, temporary configurations arise — like rock, like skin, like sedimentary layers constantly reorganising without fixed contour. Skin, stone and sediment do not function as categories, but as shifting states within the same field.